Latest or all posts or last 15, 30, 90 or 180 days.
2024-05-08 21:46:06
877-865-7002
Today’s Deal Zone Items... Handpicked deals...
$1598 $1198
SAVE $400

$1397 $997
SAVE $400

$2997 $2997
SAVE $click

$230 $230
SAVE $click

$3399 $2899
SAVE $500

$3997 $3497
SAVE $500

$1797 $1397
SAVE $400

$2499 $1999
SAVE $500

$1999 $1449
SAVE $550

$5999 $4399
SAVE $1600

$500 $440
SAVE $60

$2499 $2499
SAVE $click

$5999 $4399
SAVE $1600

$999 $849
SAVE $150

$1049 $849
SAVE $200

$680 $680
SAVE $click

$300 $300
SAVE $click

$5999 $4399
SAVE $1600

$4499 $3499
SAVE $1000

$999 $999
SAVE $click

$799 $799
SAVE $click

$1199 $899
SAVE $300

Connect and charge all of your devices through a single Thunderbolt or USB-C port.

Zeiss ZE 21/2.8 Distagon or Canon 24/1.4L II?

One question that Canon EOS users might be asking themselves is whether to go for the Canon 24/1.4L II or the Zeiss ZE 21/2.8 Distagon. The ZE 21/2.8 is easily the standout in the wide angle Zeiss ZF/ZE line, especially for Canon users. The most-similar Canon alternative is the 24/1.4L II (reviewed in DAP).

A 24mm f/1.4 offers low-light versatility, but 21mm offers distinctly wider coverage than 24mm. Both lenses are superb, both have idiosyncrasies, yet I have little hesitation about either. A distinction of note is that the 21/2.8 Distagon is a flat field lens, whereas the Canon 24/1.4L II has a curved field (wavy), which requires stopping down for some subjects, as well as awareness of its behavior. I don’t see them as competing except in a glancing way. In terms of build quality, the Zeiss 21/2.8 is pure elegance, but that is immaterial to optical performance and should not be the top consideration for making images.

To oversimplify, get the Canon 24/1.4L II for all around handheld shooting, especially indoors, or anywhere you might need fast speed and autofocus (eg crowds and people, fast-moving subjects). I see the Zeiss 21/2.8 Distagon as more of a landscape lens, and one where wider coverage is needed. But ironically, I also see it as more appropriate for night shooting because of its reliable flat-field excellence wide open at f/2.8 (a page of night examples is presented in my review). I also greatly prefer manual focus feel for close-up shooting (a page of macro examples is presented in my review).

Autofocus might really matter for some shooters. While the “green dot” focus confirmation works well with the Zeiss 21/2.8, anyone with less than 20/20 vision should stick to autofocus, eg the Canon 24/1.4L II.

Price— the Canon EF 24/1.4L II is about $1699 , and the Zeiss 21/2.8 Distagon is about $1540 , which doesn’t simplify the decision! Your shooting style will likely decide the issue.


diglloyd Inc. | FTC Disclosure | PRIVACY POLICY | Trademarks | Terms of Use
Contact | About Lloyd Chambers | Consulting | Photo Tours
RSS Feeds | X.com/diglloyd
Copyright © 2022 diglloyd Inc, all rights reserved.